Anna Schultz

Singing a Hindu

Nation Marathi Devotional Performance and Nationalism

Singing a Hindu (0)
WydanieKsiążka (oprawa miękka)
Numer artykułu778112
Autor / kompozytorAnna Schultz
Językangielski
Zakres256 strony; 15,6 × 23,5 cm
Rok publikacji2013
Wydawca / ProducentOxford University Press
Numer producenta:OUP 9780199730834
ISBN9780199730834

Opis

Singing a Hindu Nation is a study of rāgsgtrīya kīrtan, a western Indian performance medium that combines song, Hindu philosophical discourse, and nationalist storytelling. Beginning during the anti-colonial movement of the late nineteenth-century, performers of rāgsgtrīya kīrtan led masses of Marathi-speaking people in temples and streets, and they have continued to preach and sing nationalism as devotion in the post-colonial era, and into the twenty-first century.

In this book, author Anna Schultz demonstrates how, through this particular form of musical performance, the political becomes devotional, and explores why it motivates people to action and violence. Through both historical and ethnographic studies, Schultz shows that rāgsgtrīya kīrtan has been especially successful in combining these two realms because kīrtankārs perform as representatives of the divine sage Narad, thereby infusing their nationalist messages with ritual weight.

By speaking and singing in regional idioms with rich associations for Maharashtrian congregations, they use music to combine political and religious signs in ways that seem natural and desirable, promoting embodied experiences of nationalist devotion.

As the first monograph on music and Hindu-nationalism, Singing a Hindu Nation presents a rare glimpse into the lives and performance worlds of nationalists on the margins of all-India political parties and cultural organizations, and is an essential resource for ethnomusicologists, as well as scholars of South Asian studies, religion, and political theory.

Treść

  •  Acknowledgements
  •  Notes on Transliteration and Orthography
  •  About the Companion Website
  •  1. Introduction. Standing on Nàrad's Mat: Nationalism and
  •  Hindu Performance in Western India
  •  PART I: Marathi Kãrtan and Modernity Before 1947
  •  2. Nàradãya Kãrtan for "Modern Educated People"
  •  3. Ràùñrãya Kãrtan: Resisting Modernity, Devotionalizing Nationalism
  •  PART II: Nationalist Kãrtan Within and Beyond the Post-Colonial State
  •  4. "From 'Home Rule' to 'Good Rule'" Nationalism and Kãrtan After Independence
  •  5. The Re-Institutionalization of Marathi Kãrtan: Hindutva Networks and Gender
  •  PART III: Performing a Hindu Nation
  •  6. Performance, Genre, and Politics in Ràùñrãya Kãrtan
  •  7: Sudhatai Dhamankar: Embedded Embodiments
  •  8. Yogeshwar Upasani: The Collision of Genres and Collusion of Participants
  •  9. Conclusion
  •  References
  •  Glossary
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