Zwiefache Symphonique

0 Full Score A3 - 1 Full Score - 1 Piccolo - 4 Flute I - 4 Flute II - 1 Oboe I - 1 Oboe II - 2 Bassoon - 1 Clarinet Eb - 5 Clarinet I - 5 Clarinet II - 5 Clarinet III - 1 Bass Clarinet - 1 Soprano Saxophone - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 1 Flugelhorn Eb - 3 Flugelhorn I - 2 Flugelhorn II - 1 Flugelhorn III - 3 Trumpet I - 3 Trumpet II - 3 Trumpet III - 2 Horn I Eb - 2 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 2 Euphonium C - 2 Euphonium Bb (BC) - 4 Euphonium Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 3 Percussion - 1 Timpani

This composition is inspired by Austrian-Bavarian dances, called 'Zwiefach', heard by the composer on the radio while staying at Düsseldorf, Germany in 1953. Under the spell of this folk music with its surprising changes of meters 3/4 and 2/4, he wished to compose some pieces based on these meters, without however always keeping the tempi. He composed seven Zwiefache, initially for piano and later on made an orchestration for wind band. These pieces have been dedicated to his mother, Guito.