Rachel May Golden

Mapping Medieval Identities in Occitanian Crusade Song

R.M. Golden: Mapping Medieval Identities in Occitanian  (Bu) (0)
WydanieKsiążka (oprawa twarda)
Numer artykułu864823
Autor / kompozytorRachel May Golden
Językangielski
Zakres294 strony; 15,6 × 23,5 cm
Rok publikacji2020
Wydawca / ProducentOxford University Press
Numer producenta:OUP9780190948610
ISBN9780190948610

Opis

In medieval Occitania (southern France), troubadours and monastic creators fostered a vibrant musical culture. In response to the early Crusade campaigns of the twelfth and thirteenth centuries, Christians of the region turned to producing monophonic, poetic song, encompassing both secular and sacred genres.

These works assert shifting regional identities and worldviews, exploring devotional practices and religious beliefs, overlaid with notions of contemporaneous geopolitics and secular, intellectual interests.

'Mapping Medieval Identities in Occitanian Crusade Son'g demonstrates the profound impact the Crusades had on two seemingly discrete musical-poetic practices: the Latin, sacred Aquitanian versus, associated with Christian devotion, and the vernacular troubadour lyric, associated with courtly love.

Rachel May Golden investigates how such Crusade songs distinctively arose out of their geographic environment, uncovering intersections between the beginning of Holy War and the emergence of new styles of poetic-musical composition. She brings together sacred and secular genres of the region to reveal the inventiveness of new composition and the imaginative scope of the Crusades within medieval culture.

These songs reflect both the outer world and interior lives, and often their conjunction, giving shape and expression to concerns with the Occitanian homeland, spatial aspects of the Crusades, and newly emerging positions within socio-political history.

Drawing on approaches from cultural geography, literary studies, and musicology, 'Mapping Medieval Identities in Occitanian Crusade Son'g provides a timely perspective on geopolitical and cultural interactions between nations.

Treść

  • List of Figures
  • List of Musical Examples
  • List of Tables
  • Introduction: "And so I cannot prophesy"
  • Chapter 1: Identity, Space, And Song in Crusading Occitania
  • Construing Local & Global Contexts
  • Space & Place
  • Crusade Songs in Scholarship
  • Motz e So
  • The South and Its Songs
  • Song Genres, Themes & Contexts
  • Sounding Objects in the Distance
  • Chapter 2: Occitania, Court, and Cloister
  • France, Spain & Kingdom
  • St. Martial, Monastery & Movement
  • Versus, Expression, and Resistance
  • Beyond Cloister, Beyond Court
  • An Occitanian Homeland
  • Conclusion
  • Chapter 3: Place, Frankishness, and Regionality
  • Pope Urban's Message
  • Crusade Chronicles
  • Recruitment & Regional Implications
  • Local Heroism in Chant et deport
  • Urban's Synthesis: Love, War, and Vow
  • Indulgence and Penance
  • Embodiment, Violence, and Affirmations of the Tongue
  • God's Wonders, Visions, and the Holy Lance
  • Selfhood, Identity, and Frankishness
  • Chapter 4: Situating the Holy Land: Juxtapositions and Circular Paths
  • Circular Paths
  • Pilgrimage and Devotions
  • Self & Enemy
  • The Allure of Distant Lands
  • Motion, Cross, and Territory in Ara pot hom connoisseur
  • Real & Imagined Journeys
  • Chapter 5: Near and Distant Lands in First Crusade Songs
  • Desiring Distant Lands: Ierusalem mirabilis
  • Pointing Toward Jerusalem
  • Distance, Wonder, and Variation
  • Nomen a solemnibus: Reclaiming Jerusalem
  • Jerusalem, Near & Far
  • Chapter 6: Locality, Distance, and Troubadour Song in the Second Crusade
  • The Second Crusade & Reconquista
  • Marcabru's Moralizing and Invective
  • Marcabru Makes War
  • Jaufre's Distant Desire
  • Singing Across the Sea
  • Chapter 7: Conclusions: Singing Crusade Journeys
  • Re-Creation, Recycling, and Contrafacture
  • Sounding Journeys and Songs in Motion
  • Appendix
  • Bibliography
  • Index
50,10  €
Czas dostawy: 2–4 tygodnie
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Ostatnio oglądane
Verband deutscher MusikschulenBundesverband der Freien MusikschulenJeunesses Musicales DeutschlandFrankfurter Tonkünstler-BundBundes­verb­and deutscher Lieb­haber-OrchesterStützpunkt­händ­ler der Wiener Urtext Edition

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